Self Portrait (2020)
about
In the artistic pantheon, photography occupies a unique niche. It is entirely dependent upon, and inextricably linked to, technological innovation. As technology evolves, so does photography, and its role in society. Relatively recent technological advancements have resulted in digital photography becoming the most ubiquitous and accessible visual art ever to exist. Sharing images of ourselves and our lives is now a central aspect of how many people create their social identities.
Photography is never merely a neutral or unbiased depiction of reality. Photographs always tell a story. The choices the photographer makes, both during the shoot and after in editing and post-production, will emphasize and prioritize certain aspects of the story. I tell visual stories of the world as I see it. My work focuses on three primary subjects: people, places, and events.
Our psychology is wired to respond to images of other humans, especially faces. I’m particularly interested in elements of form and experience that live outside of the content filters that the corporations who control much of the internet impose on their sites. The impact of power structures, economic and otherwise, on the visual landscape has long been an avenue of personal inquiry. Humans are part of nature, but we also impose our will upon other species like no other.
As cultural institutions have shifted, large gatherings where people experience community and redefine identity have expanded. Photographing these events can be challenging. The lighting is highly variable, rarely ideal, and sometimes almost non-existent. There is often only a brief window of time in which to capture an image. But it can be rewarding to create lasting, sharable memories of an otherwise intangible experience.
I do not solicit commercial or other paid assignments, but I am open to requests for collaboration (with or without a component of financial exchange). Feel free to reach out to me via email at jon at jonkedi dot art.